MB Do you say that because our society has become more dependent on Instagram and OnlyFans?īL One thing that’s often missing from Instagays or performers on OnlyFans is a sense of self-deprecation or self-parody. My new film, Saint-Narcisse, explores self-objectification, which has become so rampant. Freud believed that desire couldn’t exist without objectification, and that applies irrespective of gender. For me, it’s a dark-baroque, unruly-primal, aggressive drive. But sex isn’t a nurturing, walk-in-the-park type of activity. Sex is only validated if it’s considered equal, affectionate and monogamous.
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These days, there’s a new puritanism about sex that began as an unintended consequence of the #MeToo movement and has only gotten worse with COVID-19, since it’s treated almost like an STD. CockyBoys, the production studio, got hate mail about it – from idiots who are so misogynistic that they can’t even see a woman’s breasts without losing their hard-ons.īruce LaBruce, Fleapit: It Is Not the Pornographer That Is Perverse, 2018, production still with a film still from The Raspberry Reich, 2004, projected
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In one segment of my film Fleapit, there’s one female character amongst about ten or 12 guys, and they’re all cruising each other in a movie theatre and having sex with each other in various permutations. We used to joke that the kinkiest thing a gay man could do would be to fuck a woman. MB What does the wide availability of porn now mean for your audience’s sensitivity towards the sexual taboos in your work? With Scotch Egg, you seem to suggest that the last taboo for gay men is straight sex.īL Whenever I say to myself, ‘Oh my god, I’ve gone too far,’ that’s when I know I’m on the right track. In 2018, I shot Scotch Egg and Valentin, Pierre & Catalina, shorts in which gay guys have sex with women, for Erika Lust’s XConfessions. I always refer to myself as a repressed heterosexual. I believe in the mixture of nature and nurture and that heterosexuals have homosexual potential and vice versa. That makes me a really bad gay because you’re supposed to be ‘Born This Way’, a Lady Gaga fag, and I just don’t believe that. MB You’re sometimes thought of as a gay director, but you’ve always captured a broad spectrum of sexuality and fetish in your work.īL I believe in Sigmund Freud’s notion of constitutional bisexuality: that everyone has bisexual potential.
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We were collaborating with transgender people, and our covers were racially diverse, adamantly so.īruce LaBruce, No Skin Off My Ass, 1991, film still. And we were very militant about solidarity between lesbians and gay men. Jones and I were also really into classic Hollywood films and Andy Warhol’s Factory. The thing that distinguished J.D.s was its weird juxtaposition of a hardcore punk aesthetic with a romantic sensibility mixed with porn. It was designed to provoke the punks – to point out not only how homoerotic they were but also that their internalized homophobia was a repression of their own homosexual desires. I then spliced it with footage from an old Super-8 Al Parker film, gave it a Carpenters’ soundtrack, using the songs ‘Superstar’ and ‘Hurting Each Other’, and called the film Slam!. I shot this amazing punk show in Toronto at the Silver Dollar Room during the 1988 Anarchist Unconvention, on Super 8, with a lot of hot, sweaty skinheads and punks with their hands all over each other.
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I collaged extreme images from the gay world that coincided with punk, like Mohawks and leather, alongside images of actual punks.īruce LaBruce and G.B. But punk was kind of homophobic and misogynistic as well, so my friends and I made our fanzines and Super-8 movies as queer and in-your-face as possible, to tell the punks that they weren’t as radical as they claimed to be if they couldn’t accept us. I was partly caught up in all that but also disillusioned with the mainstream gay movement because it was sexist, misogynistic, racist and classist. In Toronto, the leather bars were always packed, and there would be lines at the saunas even on weekdays. It was the era just after gay liberation, the engine of which was a very aggressive, militant sexuality. When did you begin to think about sex and sexuality that way?īruce LaBruce In 1985, I started J.D.s, a queer-punk fanzine, with lesbian artist G.B. In your films, explicit queer sex is deployed as a means of empowerment and liberation. Michael Bullock Your work often explores queer subcultures and pornography as tools of political dissent.